![]() He sent me 4 LUTS which were created specifically for that project and this camera. This morning, James Miller, a friend and colleague of mine whose Deluts I used for grading my original piece stepped in. I n my original a6300 article, I graded the footage to my liking and although I supplied a link to an ungraded version (which was downloaded hundreds of times), I kept hearing concerns from some of our followers about the low contrast grade I did. Update: Head to our latest Sony a6300 reviews: lowlight test done by Nino and a comprehensive lab test done by Sebastian. keyboard_arrow_rightCameras of the Year.keyboard_arrow_rightGear Guides by Type.keyboard_arrow_rightGear Guides by Budget.This is a good primer for using S-Log3, though I would add on finding a decent LUT to get you close to a final image very quickly when you load the footage into an NLE. It helps you preview your colors and make sure you are in the ballpark. ![]() I like using it as a shortcut to turn it on and off quickly with a button. To preview the footage you’ll want to use the Gamma Display Assist function. Lastly, you’ll want to check your colors. If you are getting close to that magic 12800 number, you are better off jumping all the way up and you’ll actually get a cleaner image. On the a7S III at ISO 12800, it shifts into this mode and it becomes much cleaner than adjacent, lower ISOs. A dual gain sensor design, or similar, will help you out in low light. It’s bad and why ND filters are a thing.īase ISO will vary from camera to camera (unless they use the same sensor like the a7S III, FX3, and FX6).Īs you push above the base ISO you will naturally get more noise. However, if you drop below the base ISO, it’ll make things like zebras and exposure a little more difficult. You can still go higher or lower as you need. ISO 640 is the first normal number as is the base, aka best, ISO to use. On the a7S III/FX3 in the ISO menu, you’ll see that all the ISOs below 640 have lines on the top and bottom. If you are looking at the ISO menu and trying to determine where you should be, you need to pay attention to the formatting of the numbers. To balance this, use your camera settings, with ISO being a common choice. The sun might always hit this point but it isn’t necessarily a problem for that shot. Keep in mind, having zebras show up isn’t always bad. Now, with that turned on as you bump up your exposure, you’ll see zebras pop up when you start to break into problematic overexposure. To set them up, you will want to set a Custom level. To prevent overexposure you should use the zebras. This will save you from noisy images later. Using default metering (Multi) you’ll want to target around +1.7-2.0 stops overexposed per the in-camera meter. The basic procedure is to expose to the right, meaning to somewhat overexpose as much as possible without losing highlights. This look is why you need to account for this in the exposure. A common thought of the profile is that it can be noisy. ![]() You can also use PP9, which uses S-Gamut3, but the “Cine” version is a bit easier to grade. Double check in the settings and you can reset if it doesn’t match up. This should be S-Log3 with S-Gamut3.Cine as the color profile by default. To turn the profile on, you’ll want to head to the Picture Profiles menu and select PP8 (this is specific to mirrorless). If you are limited to 8-bit recording there are better alternatives. This profile is designed for 10-bit systems – like the a7S III – and basically needs it to work properly. If you are new to Picture Profiles you’ll definitely want to watch this and check out the preset LUTs.Īs I mentioned earlier, the specific camera you use is going to have an impact on your ability to make use of S-Log3. Working specifically with S-Log3, filmmaker Matt WhoisMatt Johnson has put together a guide on how to properly use this profile. The potential upside of these profiles is massive, as this is where you can squeeze all the performance out of the sensor and processor and capture the widest latitude of information for post. S-Log3 on the 10-bit a7S III is going to be a different animal compared to S-Log3 on the 8-bit a7 III. ![]() Every flavor of log is different, and I even mean that within the same brand.
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